I Hear of Sherlock Everywhere

Episode 93: Nerve and Knowledge

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"He has nerve and he has knowledge." [SPEC]</h4>
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If you're a regular listener of our show, you may remember that in <a href="http://ihose.co/ihose76" rel="nofollow" target="_blank">Episode 76: Out of the Abyss</a>, we chatted with Steve Rothman, BSI ("The Valley of Fear"), Bob Katz, BSI ("Dr. Ainstree") and Andy Solberg, BSI ("Professor Coram") about the BSI Manuscript Series entry about "The Empty House." During that conversation, Bob and Andy excitedly told us about their next project — a then-unnamed book about medicine in the Sherlock Holmes stories.<br />
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Well, this January their book made its debut: the BSI Press unveiled <i><a href="http://www.bakerstreetjournal.com/nerve.html" target="_blank">Nerve and Knowledge: Doctors, Medicine and the Sherlockian Canon</a></i>. Naturally, we invited Bob and Andy to join us on IHOSE for a fourth time to talk about their remarkable experiences putting such a book together. [Previous episodes include episodes <a href="http://ihose.co/ihose50" rel="nofollow" target="_blank">50</a>, <a href="http://ihose.co/ihose63" rel="nofollow" target="_blank">63</a> and <a href="http://ihose.co/ihose76" rel="nofollow" target="_blank">76</a>.]<br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Nerve and Knowledge</i> [click to enlarge]</td></tr>
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As any good editor would, both Bob and Andy proudly discuss just about every article in their work (try as we might to make them choose a favorite), but Andy made a valid point in mentioning that many of these bear rereading and they hold up well time after time. Every one of the essays in the book is original, and the duo does a fine job of sourcing them and stitching them all together.<br />
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What's more is our show gets into backstories, give-and-takes, and perhaps even a little gossip about Sherlockians and the book publishing process. There may be a surprise or two in store if you listen in...<br />
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Notes</h3>
1:53 Welcome<br />
2:44 Carl Reiner impersonates the Picture of Dorian Gray<br />
3:20 Only seven more episodes until our 100th episode<br />
5:20 Sponsor: Wessex Press<br />
6:38 <i>Nerve and Knowledge</i> introduction<br />
8:45 A flashback<br />
10:38 Welcome, Bob and Andy!<br />
14:02 What's different about this effort<br />
24:50 Catherine Cooke's contribution was a smack-down of one of Bob's <i>BSJ</i> articles<br />
28:55 Further reading chapter uncovered some previously overlooked topics<br />
33:20 Sponsor: Amanda Lester, Detective<br />
36:14 The story behind the cover art on the dust jacket — evidence boxes<br />
47:02 Favorite articles of each of the editors?<br />
59:15 An idea for a sequel volume<br />
1:00:44 Sponsor: <i>The Baker Street Journal</i><br />
1:02:48 Bob and Andy's next project<br />
1:11:48 Burt is on the hook<br />
1:12:38 Closing comments<br />
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Sponsors</h3>
This episode includes our two longtime sponsors and a special sponsor who is supporting us for the first half of this year:<br />
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<li>The <a href="http://www.wessexpress.com/" target="_blank">Wessex Press</a>, featuring <i>A Curious Collection of Dates</i>, </li>
<li><a href="http://www.bakerstreetjournal.com/" target="_blank"><i>The Baker Street Journal</i></a>, where you should get <a href="http://www.bakerstreetjournal.com/itemsforsale/subscriptions.html" target="_blank">your annual subscription</a> in now to secure all four issues plus the Christmas Annual. </li>
<li>And Paula Berinstein's <a href="http://amandalester.net/" target="_blank">Amanda Lester, Detective</a> series for young adults.</li>
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Would you care to become a sponsor? You can find <a href="http://www.ihearofsherlock.com/p/contact.html#.Vc1Qx7JViko" rel="nofollow" target="_blank">more information here</a>.</div>
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Links:</h3>
<ul>
<li><i><a href="http://bakerstreetjournal.com/nerve.html" target="_blank">Nerve and Knowledge: Doctors, Medicine and the Sherlockian Canon</a></i>, available from the BSJ website.</li>
<li>Carl Reiner and his <a href="https://www.youtube.com/watch?v=nYcx-2raKtA" target="_blank">Dorian Gray impersonation</a>. </li>
<li><a href="http://ihose.co/ihose89" rel="nofollow" target="_blank">Episode 89: The Adventuresses of Sherlock Holmes</a></li>
<li><a href="http://www.bakerstreetjournal.com/pdf/nerve-knowledge-info.pdf" rel="nofollow" target="_blank">The contributors and table of contents of <i>Nerve and Knowledge</i></a></li>
<li><a href="https://www.youtube.com/watch?v=4nq3MCgMdUA" target="_blank">Surgically implaning a Kit Kat into a Three Musketeers</a></li>
<li>The <a href="http://patreon.com/ihearofsherlock" target="_blank">I Hear of Sherlock Everywhere Patreon</a> page</li>
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Many more links, articles and images are available in our Flipboard and Scoop.it sites at <a href="http://ihose.co/flipsherlock" target="_blank">ihose.co/flipsherlock</a> and <a href="http://www.scoop.it/t/sherlock-holmes" target="_blank">ihose.co/scoopsherlock</a>, as well as on the <a href="https://plus.google.com/communities/114565123495685504221" target="_blank">The Sherlock Holmes Community</a> on Google+ (now over 3,500 members), as well as through our accounts on <a href="http://facebook.com/ihearofsherlock" target="_blank">Facebook</a>, <a href="http://twitter.com/ihearofsherlock" target="_blank">Twitter</a> and <a href="http://ihearofsherlock.tumblr.com/" target="_blank">Tumblr</a>.</div>
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Episode 93: Nerve and Knowledge

"He has nerve and he has knowledge." [SPEC] If you're a regular listener of our show, you may remember that ...

+ Read more »

by Scott Monty

The Sherlock Violin

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"His powers upon the violin… were very remarkable" [STUD] </h4>
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Most Sherlockians know that the iconic deerstalker and curved pipe associated with Holmes were really the props used by the famous actor <a href="http://www.ihearofsherlock.com/search/label/William%20Gillette" rel="nofollow" target="_blank">William Gillette</a> when he brought the world’s first consulting detective to the stage in 1899. But we also know that Holmes is clearly and properly associated with his iconic musical instrument – the violin. Watson mentions Holmes’ violin playing many times in the Canon – the word ‘violin’ – singular and plural – appears 20 times. The violin is so strongly associated with Holmes that few die-hard Sherlockian mavens can name a Sherlockian play, film or pastiche which does not have a scene with Holmes and a violin.<br />
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Watson describes Holmes boasting that he “had purchased his own Stradivarius, which was worth at least five hundred guineas, at a Jew broker's in Tottenham Court Road for fifty-five shillings.” [CARD]<br />
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In the Holmes apocrypha "The Field Bazaar," Holmes is found studying “a very interesting article upon the trees of Cremona and the exact reasons for their pre-eminence in the manufacture of violins,” and of course in <i>A Study in Scarlet</i>, Holmes "prattled away about Cremona fiddles, and the difference between a Stradivarius and an Amati."<br />
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Watson tells us that Holmes attended concerts by the 19th-century virtuoso Wilhelmina Norman-Neruda, whose “attack and bowing are splendid” [STUD], and a performance by Sarasate finds both Holmes and Watson at St James’s Hall [REDH].<br />
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Music "has charms" not only to "sooth a savage breast" [often misquoted as "a savage beast" - Ed.] but also and less frequently quoted, "to soften rocks, or bend a knotted oak," according to seventeenth-century playwright William Congreve (and not Shakespeare to whom the quote is frequently attributed).  However this essay will turn that phrase around and proclaim that bending a knotted oak (or more precisely a sycamore, as we shall see) has the power to charm Sherlock Holmes!<br />
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Discovering the 'Sherlock' Violin</h3>
On a recent visit to Edinburgh I was privileged to give a presentation at the <a href="http://www.arthurconandoylecentre.com/" target="_blank">Arthur Conan Doyle Centre</a>, home of the Edinburgh Association of Spiritualists, housed in a beautifully restored Victorian townhouse built by the very successful brewer, William McEwan (whose own connection with ACD will be explored in another essay). I learned from a trustee of the Centre, Ann Treherne, that on the one year anniversary of the opening of the Centre, October 23, 2012, a very special violin had been played – the Sherlock violin, a violin normally held at the <a href="http://www.ed.ac.uk/information-services/library-museum-gallery/museums-and-galleries/musical-instrument-museums" target="_blank">Museum of Musical Instruments</a> at the University of Edinburgh.  Of course my Sherlock-y sense immediately tingled, and I enquired, “What is this ‘Sherlock violin’?”<br />
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To answer that question let us enter our time-travelling Tardis and journey back to Edinburgh between 1865 and 1869. A young Arthur Conan Doyle moved to the outskirts of that great city to board at Liberton Bank House under the care of Mary Burton, who lived there from 1844 to 1898. Mary Burton was a trailblazing social and educational reformer, the first woman Governor of Heriot-Watt College and a prominent advocate of women's suffrage. Her promotion of educational equality and access led her to bequeath, with foresight, a sum towards the campaign "for the admission of women to sit as members of parliament."<br />
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Doyle ostensibly came to live there to attend the nearby Newington School but also to gain respite from a dysfunctional family life due to the alcoholism of his father. He became great friends with Burton’s nephew, William K. Burton, with whom he often climbed a large sycamore tree on the property next to the house. The two years Doyle spent at Liberton Bank House were influential in his development.<br />
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We can return, not yet to the present time, but to the beginning of our 21st century. Liberton Bank House continued to be used as a residence until 1993 but fell into disrepair. Almost demolished to make way for a fast food hamburger restaurant (yes, McDonald’s – at least it has a Scottish name), it was saved from that ignominious fate by Conan Doyle and Burton enthusiasts and eventually became a listed property by Historic Scotland in 2000.<br />
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Feasibility studies suggested that the best use of the property would be as school for students with learning difficulties, medical concerns or social, emotional or behavioral problems and the building was eventually restored in time for the 2007-2008 school year. However, as the fate of the property was being debated, it was found that the large 170 year old sycamore tree on the property had failed because of rotting roots and could potentially fall and damage the building. Of course this was the very tree that young Arthur Conan Doyle climbed and played in as a boy.<br />
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Ever mindful of their heritage, their duty to preserve, and of native son Conan Doyle, staff at the Dunedin School felt that even if the tree itself could not be saved, the wood from the tree could be and ‘wood’ be. And what better use could be made of that wood than to honor the young Conan Doyle, who had spent important years of his childhood actually climbing in that tree? <br />
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Joan Foulner, a history teacher at the school said:<br />
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“We had no alternative but to knock down the tree, as the rotting in its roots were so severe. It’s been here for so long, and with its connections with Arthur Conan Doyle, there was no way we could just knock it down and have it turned into woodchips. We had been looking for an idea for some kind of tribute to Sherlock Holmes when one of the garden volunteers read an article about a local violin maker.  We’ve raised the money to pay for the violin through donations.”  </blockquote>
Dunedin School staff contacted luthier Steve Burnett, a local Edinburgh instrument maker and commissioned him to create from that wood what is now known as the Sherlock violin in time for the 150th anniversary of the birth of Doyle in 2009.<br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmEyov0RLqGooUunQD1wgU9Ka1XXiF0KFwBDiDDWskP215yWTTCbG15-vucn_jo2zOCPDZ-Ryv9_oSeGtm9Z3AgiabSUARp52qpQJe2hAvRk68jRTd2its2Hu54bRRY3rI_R44msgd0IIO/s1600/P1010480.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmEyov0RLqGooUunQD1wgU9Ka1XXiF0KFwBDiDDWskP215yWTTCbG15-vucn_jo2zOCPDZ-Ryv9_oSeGtm9Z3AgiabSUARp52qpQJe2hAvRk68jRTd2its2Hu54bRRY3rI_R44msgd0IIO/s640/P1010480.JPG" width="382" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Steve Burnett, with his creations</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXtsPrxsM04c2U8_s0jUThBLodnEVeSP0sYqfsIYdsxhhf9yKyXfrMCgcTEIiSmJWkVc5L0ZcOVsiNleRSteN74_belsJWh0eC0-3uR1HCJolIYCfw6ZE0_Ft7lU_i_a-RHbSg9SzMDGD/s1600/P1010481-1.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcXtsPrxsM04c2U8_s0jUThBLodnEVeSP0sYqfsIYdsxhhf9yKyXfrMCgcTEIiSmJWkVc5L0ZcOVsiNleRSteN74_belsJWh0eC0-3uR1HCJolIYCfw6ZE0_Ft7lU_i_a-RHbSg9SzMDGD/s400/P1010481-1.jpg" width="300" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">The Conan Doyle quartet</td></tr>
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According to Watson, Holmes often stated “You know my methods” (mentioned at least fourteen times in nine stories) and Steve Burnett has his methods as well. Burnett is no ordinary luthier, and the honor of creating this unique instrument came to him in part due to his unique methods.<br />
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As mentioned previously, Holmes had a Stradivarius but Burnett was more influenced by the famous Italian maker Guiseppe Guarnerius del Gesu (1698-1744) based in Cremona and a rival to Antonio Stradivari. Burnett based the Sherlock violin on a design which the great violin-maker provided for Nicolo Paganini about 1740. He eschews the convenience of modern wood preservatives in his craft by returning to old organic resins and oil varnish recipes for wood treatment. He feels that his custom crafted violins harken back to Guarneri’s instruments which possess “a dark, responsive, sonorous, powerful and sweet tone. . . very much sought after by many leading soloists.” He states<br />
<blockquote class="tr_bq">
“What I am doing is going back to some of the varnish mixes that produced the sound from instruments that survive today and sound so good.  My violins may look a little less refined than some but they produce a wonderful sound which is louder and sweeter than other instruments.”</blockquote>
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His preferred wood preservatives and his carving and woodworking expertise were not the only ‘methods’ Burnet had to use in crafting the Sherlock violin. The tonal qualities of a violin are obviously affected by the wood used and its condition. The nature of the type of wood, its density and grain characteristics, the thickness of each individual piece – all these contribute to the final character of the sound.<br />
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Ordinarily wood used in instrument making may be aged for years before it is actually carved and crafted to make a stringed instrument. The moisture content must stabilize before the luthier can choose the pieces of wood used for the various components. Steve Burnett had a deadline of less than a year to make a very special instrument, and he did not want the audible characteristics of this violin to change substantially as it aged. Making a violin is an art which requires specialized experience.  He not only used his years of experience with traditional methods but was forced to experiment with ways of accelerating the ‘aging’ of the raw sycamore wood – techniques which are now proprietary.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGInMls6-qBM7qZIHkhBEs5Ahfw7OqBJbuqWQGk68VrZHzpj29YSAE6_6dbO_zAj5W0_kHJ4G9x_tZCd_SI053yuAZXqtqGq8VUocIWnE_gL04GMI5ijeBp6gowGwi5coHcZAmVHVYX9M/s1600/Sherlock+violin.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Steve Burnett's work: the Sherlock violin" border="0" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHGInMls6-qBM7qZIHkhBEs5Ahfw7OqBJbuqWQGk68VrZHzpj29YSAE6_6dbO_zAj5W0_kHJ4G9x_tZCd_SI053yuAZXqtqGq8VUocIWnE_gL04GMI5ijeBp6gowGwi5coHcZAmVHVYX9M/s640/Sherlock+violin.jpg" title="The Sherlock violin" width="640" /></a></div>
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The deadline was met and the Sherlock violin made its debut at a concert at the school on the 150th anniversary of Doyle’s birth, May 22nd, 2009. Sherlockians might be content just to know that this commemorative violin was made and played then. But that would leave out the ‘rest of the story.’<br />
There are violins and there are violins. The remaining Stradavari and Guarneri violins in this world are insured for hundreds of thousands if not millions of dollars because of their sound in the hands of a skilled violinist. What about the sound of the Sherlock violin? Is it to be noted merely as a nice gesture to Conan Doyle because it was made with wood from a tree in which he once played?<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj41qiog4nztFv4ffxauov3GvRRO8VEBHppsgr3A2C3TjMSV18YEj5o-rkymCwlDZH-sDAgO50fFopWKJV6LCt2ofxqeNBVOBrmkbpk1rEvj9yAZ2OF6dfhmthN_oPqyTPy7kocJd5vac6E/s1600/Sherlock+violin+2.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj41qiog4nztFv4ffxauov3GvRRO8VEBHppsgr3A2C3TjMSV18YEj5o-rkymCwlDZH-sDAgO50fFopWKJV6LCt2ofxqeNBVOBrmkbpk1rEvj9yAZ2OF6dfhmthN_oPqyTPy7kocJd5vac6E/s640/Sherlock+violin+2.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption">Dr. Jenny Nex of the Musical Instrument Museum, University of Edinburgh</td></tr>
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Violinists who have played the Sherlock violin (and other stringed instruments crated by Burnett) have uniformly praised it as sounding more like the pre-1800 violins made in Cremona. One review of a charity event to raise money for the Haiti Orphan Appeal appeared in <i>The Scotsman</i>, May 16, 2010. The Sherlock violin was played in Usher Hall by Armenian string prodigy Ani Batikian in a<br />
<blockquote class="tr_bq">
“varied programme . . .  designed to show off the colours and textures of the instrument as well as the versatility and talent of violinist Ani Batikian. Together with the St Patrick’s Baroque Ensemble, she took Vivaldi’s <i>The Four Seasons</i> at a brisk pace revealing the violin’s quicksilver qualities. Then with pianist Helena Buckmayer, Batikian played works by Elgar and Gershwin demonstrating the warm, honeyed tones of the instrument, while Bartok’s <i>Romanian Folk Dances</i> revealed its more fiery nature.  However, it was the beautiful sweeping melodies of Jay Ungar's <i>Ashokan Farewell</i> for violin and ensemble that really highlighted the gorgeous tones of this magnificent instrument.”  </blockquote>
<br />
Because of the violin’s connection to Doyle it also performed in the world premiere of <i>Elsie and Frances </i>by Scottish composer James Clapperton – named for the two young girls responsible for the 1920 <a href="https://en.wikipedia.org/wiki/Cottingley_Fairies" target="_blank">Cottingley Fairies hoax</a>, in which Doyle remained a believer until his death in 1931.<br />
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In the fall of 2010 the Sherlock violin was turned over to the Musical Instrument Museum at the University of Edinburgh from where it is lent out to various organizations such as UNICEF to play for children’s and environmental charities worldwide. I was able to visit the MIM in the summer of 2015 and actually handle the Sherlock violin and hear it as played by one of the curators.  I am not an expert on the sounds of violins and cannot offer an expert opinion on its audible characteristics, but as a Sherlockian I was delighted to see on the inside of the violin the marking,<div><br />
<h3 style="text-align: center;">
<i>“Sherlock, 150th anniversary, birth of Sir Arthur Conan Doyle, wood from sycamore at Dunedin School, former childhood home, Edinburgh, 22/05/2009.”</i></h3>
<br />
You can find YouTube videos of the Sherlock violin being played as well as a commentary by Steve Burnett himself has more information on the construction of the violin and sound clips demonstrating it – links can found <a href="https://www.burnettviolins.co.uk/sherlock-violin" target="_blank">on his website</a>.</div><div><br /></div><div style="text-align: center;"><iframe allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/6kd7zLPNrvM" title="YouTube video player" width="560"></iframe><br /></div><div><br />
<br />
While this may end this part of the narrative, it is still not ‘the rest of the story.'  Part 2 will tell a tale of the Watson violin plus a viola and a cello.  When combined with the Sherlock violin they comprise the Doyle string quartet – all made from the same sycamore tree.  The story continues with the only public playing of the Doyle quartet to date at the first year anniversary of the opening of the Arthur Conan Doyle Centre in Edinburgh in 2012.  And this occasion premiered the only performance of <i>The Sign of Four</i> (a quartet for strings, naturally), especially written for the ACD Centre by a Scottish composer and retired woodwind player with the London Symphony Orchestra.  Stay ‘tuned’ for more!<br />
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And in case you wondered what's left of that sycamore tree, here are some shots from the Liberton Bank House grounds:<br />
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The Sherlock Violin

"His powers upon the violin… were very remarkable" [STUD] Most Sherlockians know that the iconic deerstalker and curved pipe ...

+ Read more »

by Spocklock

Elementary and the Hound

<h4 style="text-align: center;">
<b><span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">"Not content with a mere fiend-<span style="mso-bidi-font-weight: bold;">dog" [HOUN]</span></span></b></h4>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">From the beginning, <i style="mso-bidi-font-style: normal;">Elementary</i> was not about retelling the
Arthur Conan Doyle Canon in the 21<sup>st</sup> century. At </span><a href="http://collider.com/robert-doherty-carl-beverly-elementary-interview/" style="font-family: 'arno pro', serif; font-size: 16px; line-height: 17.12px;">San Diego’s Comic Con</a><span style="font-family: 'arno pro', serif; font-size: 16px; line-height: 17.12px;"> in 2012, </span><span style="font-family: 'arno pro', serif; font-size: 16px; line-height: 17.12px;">Executive Producer Rob Doherty said,</span><br />
<blockquote class="tr_bq">
<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">"We’re not looking to
contemporize the old stories.<span style="mso-spacerun: yes;"> </span>Really,
when I look at the source material, what I love and have always loved is the
relationship and the mythology.<span style="mso-spacerun: yes;"> </span>I love
those aspects.<span style="mso-spacerun: yes;">  </span>The cases are brilliant,
don’t get me wrong, but it’s not our first order of business.<span style="mso-spacerun: yes;"> </span>If somebody had a take on one of the stories
and it seemed right for our show in New York, with our Sherlock and our Watson,
I’m open to it but it’s not our plan for the show.<span style="mso-spacerun: yes;">  </span>We want to tell our own new Sherlockian
mysteries week in and week out."</span></blockquote>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">The show runners have taken familiar Canonical tropes and
tropes created by Sherlockians within the Grand Game since the 1930s, such as
<a href="http://www.amazon.com/Illustrated-Caldecott-Greenaway-Historical-Baring-Gould/dp/B0014YL4WY/ref=sr_1_1?s=books&ie=UTF8&qid=1458166622&sr=1-1&keywords=sherlock+holmes+of+baker+street+by+william+s.+baring-gould">Irene Adler being Holmes’ great love</a>, and turned them on their heads: Watson
weaning “him from that drug mania which had threatened once to check his
remarkable career” [MISS] <i style="mso-bidi-font-style: normal;">then</i>
becoming his friend; the great platonic relationship <i style="mso-bidi-font-style: normal;">across</i> genders; Holmes’ greatest love <i style="mso-bidi-font-style: normal;">is also </i>his greatest enemy. <span style="mso-spacerun: yes;"> </span>These changes work for me, exploring the
characters of Holmes and Watson in new, interesting, and for some, jarring
ways. Other changes, such as Sherlock’s sex-as-exercise, I feel are misfires,
but all-in-all <i style="mso-bidi-font-style: normal;">Elementary</i> is a
thoughtful, well-written and acted examination of what it means to be Sherlock
Holmes and John (in this case Joan) Watson.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">When <i style="mso-bidi-font-style: normal;">Elementary</i>
does partake of Canonical material, it can do so in ways that frustrate the
expectations of some, but, when successful are fascinating. Season 1, Episode
9 (S1 E9) “You Do It to Yourself” used the plot of “The Problem of Thor
Bridge” without name-checking any characters or locations from the story. That
left some to miss the connection between the story and episode entirely, and
others to assume that the showrunners are so ignorant of the Canon that <i style="mso-bidi-font-style: normal;">they didn’t know</i> the source of the plot;
an assumption belied by Sherlock name-check THOR as a case of his in England
(S1 E21 “A Landmark Story”) and the use of Maria Gibson’s suicide method (S2 E9
“On the Line”) by a young woman attempting to frame her sister’s killer. In
fact the dumbbell used as a weight to pull her gun off the bridge into the
Hudson River is momentarily framed as Thor’s Hammer.</span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">Elementary
</span></i><span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">has
taken parts of the Canon and its characters, such as S3 E2 “The Five Orange
Pipz”, S1 E12 “M.”, S2 E7 “The Marchioness”, S1 E20 “Dead Man’s Switch”, <span style="mso-spacerun: yes;"> </span>the two-parter S3 E11 “The Illustrious Client”
and E12 “The One That Got Away” and worked them into the show’s mythos, but<i style="mso-bidi-font-style: normal;"> </i>its best Canonical retelling is S2
E17’s “Ears to You” which not only repurposed "The Cardboard Box" into the 21<sup>st</sup>
century but worked it perfectly into the show’s procedural and addiction
recovery formats while staying true to Doyle, and the story itself.<span style="mso-spacerun: yes;">  </span>The series has finally gotten around to <i>The Hound of the Baskervilles</i> and within the confines of one hour managed to coherently condense the novel’s
plot while substituting the desolation of Dartmoor to the morally bleak
landscape of American commerce, one of the series’ touchstones and replacements
of the Canon’s Victorian England class system.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">Broadcast on March 10, 2016, S4 E16’s “Hounded” is the last
episode on Thursday nights this season; the show move<span style="font-family: "arno pro" , serif;">d</span> to Sundays on March 20. <i style="mso-bidi-font-style: normal;">The Hound of the Baskervilles</i> is the
most well-known and most filmed stories of the Canon. Part of the novel’s
success is the Gothic, supernatural setting in which the rational, scientific
Holmes must restore order. Not every film version has done visually what
Doyle did with words, and even with a two-part episode, <i style="mso-bidi-font-style: normal;">Elementary</i> would probably fail in capturing the chills and thrills
of the novel. Instead, Robert Hewitt Wolfe’s script hues close to novel, paring
it down to essentials. All this takes place in the ethical morass of business,
commerce and technology, an <i style="mso-bidi-font-style: normal;">Elementary</i>
staple backdrop, befitting a detective working in the world’s financial Grimpen
Mire.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">Venture capitalist Charles Baskerville is hit by a truck
after falling off a jogging path. His brother Henry, the last known surviving
heir to Gilded Age railroad tycoon Hugo Baskerville’s fortune, doesn’t believe
that it was an accident and asks Holmes and Watson to investigate. At the scene
in Central Park, Sherlock deduces from the broken b<span style="font-family: "arno pro" , serif;">r</span>anches and twigs that
Charles was chased to his death by someone who was wider with a lower stance and <span style="font-family: "arno pro" , serif;">there was a </span>third person who witnessed it and ran away. Sherlock sends Joan to find the witness
while he tends to the shows' B-story<span style="font-family: "arno pro" , serif;">; </span></span><span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;"><span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;"><span style="font-family: "arno pro" , serif;">t</span>he scene plays like a version of Holmes volunteering
Watson to guard Sir Henry</span>. The witness, a homeless vet who, while in
an alter state or two, saw Charles chased by small bear or large wolf that
glowed like a lantern. <span style="font-family: "arno pro" , serif;">Here the show</span> respects the source material by not trying to
shoehorn “Mr. Holmes, they were the footprints of a <span style="font-family: "arno pro" , serif;">gigantic</span> hound!” into 2016 New
York City. In fact, the word “hound” is never mentioned in the show. </span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">At Charles’ company, Baskerville Genetics, we meet a red
herring in the form of Cornwall, a large genetically-modified bioluminescent
dog. Dr. Jane Mortimer (so named in the script, but I don’t believe her name
was mentioned during the episode) direct Sherlock and Joan’s attention to a
convict named Selden, who was sending death-threat emails to Charles and others
at the company. Selden, played to crank perfection by obese actor Ric
Stoneback (could the show's Selden's first name be "Franklin"?), while happy at the karmic justice at Charles death has an alibi, “I
was at a comedy club with my sister. Big mistake. I was the target of every
bozo on stage. Fat-shaming is the last acceptable prejudice in America!” And
perhaps a meta-comment on Victorian Mycroft in “The Abominable Bride”. Selden leads them to a competitive genetics
firm, one which activities are a bit shadier that making drought-resistant rice—that
of breeding “war dogs” for the Army Research Laboratory. Fortunately for
society, the project produced stillborn or nonviable dogs and was abandoned. However,
the competitor tells the detectives of Charles’ “patent-jacking”—giving start-up
companies capital in exchange for stock and seats on the board and once he had
a controlling interest, liquidating the company and selling off its assets,
including any patents.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">Here’s where the casting of the likable and sympathetic Tom
Everett Scott in the thankless role of Henry Baskerville (can anyone remember
and name another of the many actors, aside from <a href="http://www.amazon.com/Hound-Baskervilles-Peter-Cushing/dp/B000062XEY/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1458167707&sr=1-1&keywords=hound+of+the+baskervilles+1959">Christopher Lee</a>, who played the
role?) pays off; he knows about Charles patent-jacking, but thinks the 30 or so
inventors were “well compensated” and have nothing to be vengeful about.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">“Imagine,” Sherlock has to tell him, “you’re one of the
inventors your brother fleeced. Imagine watching your brother make millions off
your brainchild while you were forced to walk away with $100,000 and a hearty
handshake.” The viewer still roots for Henry to survive the inevitable. While
still on the phone with Sherlock, the beast breaks into Baskerville Hall, by
hearing the beast’s growl Sherlock is able to deduce what the beast is and save
Henry’s life. It turns out to be <a href="https://www.youtube.com/watch?v=wE3fmFTtP9g">a four-legged robot</a> (“Only slightly less
outrageous than the glowing mastiff, wouldn't you think?” says Sherlock in another bit of meta-commentary) cobbled together
from stolen patents and sold to the Baskervilles’ cousin Rodger Stapleton. One of
the ten robots built for the military by Stapleton Innovations, it had
disappeared and someone had reprogrammed it to be a target-and-forget weapon to
eliminate the Baskervilles.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">“Hounded” works on many levels. As well as by a robot,
Stapleton and the Baskervilles are hounded by their sins, corporate and
otherwise, as well the genetic struggle of infertility in the male bloodline.
In the B-story, semi-regular character M.E. Eugene Hawes (Jordan Gerber) is
hounded by the post-traumatic stress of losing someone he cared about in an
explosion that also almost killed Hawes, as is Sherlock by the “loss” of The
Woman. “Hounded” works as a retelling of the Baskerville tale by stripping the
plot to its basics, losing the Gothic overtones, but keeping the “curse”—visiting
the sins of the father onto the children—and setting it in a modern-day ethical
wasteland. As always, Jonny Lee Miller and Lucy Liu are a joy to watch as
Sherlock Holmes and Joan Watson.</span></div>
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<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">As for the move to Sunday, <a href="http://deadline.com/2016/01/rush-hour-premiere-date-criminal-minds-beyond-borders-elementary-cbs-1201678446/">Deadline</a> notes that the
action/comedy <i style="mso-bidi-font-style: normal;">Rush Hour</i> is more
fitting of CBS’ Thursday night comedy line-up while </span><br />
<blockquote class="tr_bq">
<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">“<i>Elementary</i> attracts
the kind of upscale CBS audiences that watch its Sunday lineup. Plus,<i>
Elementary</i> is one of CBS’ most DVR-ed series, so a time slot is not that
crucial to the show’s performance. Still, if history is any indication,
any established CBS drama series sent to the Sunday 10 PM time period ends
its run there, most recently <i>CSI: Miami</i> and <i>The Mentalist.
Elementary</i> is owned by CBS, it is still relatively young and makes money
for the company, so it is likely not destined for a quick death.” </span></blockquote>
<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;"><br /></span>
<span style="font-family: "arno pro" , serif; font-size: 12.0pt; line-height: 107%;">I hope <i style="mso-bidi-font-style: normal;">Elementary</i> is around for a while longer.</span></div>
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<i>Image credit: <a href="http://www.cbs.com/shows/elementary/photos/1005983/first-look-sherlock-s-dogged-pursuit/" target="_blank">CBS</a></i><br />
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--<br />
<br /></div>

Elementary and the Hound

"Not content with a mere fiend- dog" [HOUN] From the beginning, Elementary was not about retelling the Arthur Conan Doyle C...

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by James C. O'Leary

On Friendship and Possibilities

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"I am much obliged to you for bringing us together." [STUD]</h4>
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One of the downsides of living in the Midwest is the dearth of regular (irregular?) Sherlockian get-togethers. For those of us living in smaller cities and towns, it seems as if our counterparts in large urban areas—and particularly on the East Coast—spend their days running from event to event, while we're staring out at the cornfields hoping that this is the month we'll be able to make an hours-long trek to see people we can't see often enough.<br />
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So it is that most of my Sherlockian interactions happen via the Internet. I've been thinking some about an online conversation I had with a few Sherlockian friends a few nights back and, musing it over, it's dawned on me why I love being part of this community.<br />
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For most of my life—maybe even all of it—I've been very concerned with "doing the right thing"...but not so concerned with following rules. Yeah, yeah, I know we have to have them, and I know they apply to me, but basically, I'm not a fan. To me, life, and goodness and right are greater than this.<br />
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However, most of life doesn't work that way. As a Christian, I do have to be concerned about doctrine; it's God, it matters, and it matters even when I wish parts of it were different. I obey the speed limit (at least, after that meeting with Trooper Curtis on US 40). I pay taxes (and we actually pay—no refunds). I get my oil changed, queue where the arrow is, and if I don't turn off my cell phone in the movies, I don't talk on it, either. Our kids have structure, our utilities are on, and with the exception of the occasional small rebellion, you'd probably never know that, while I look like a devout church-going middle-aged wife and mom, I'm—internally—more of a pragmatic bohemian who just wants people to be happy as long as they're not hurting anyone else.<br />
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When I first entered the Sherlockian world, I was, like many new converts, really, really concerned with the Canon. It wasn't long, however, before I saw that the world of 221B was so, so much more.<br />
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Here, if you want to memorize all 56 stories and 4 novels, you can do that, and we will all be very, <b>very</b> impressed. But if you want to devote the majority of your efforts to rehabilitating the image of Matt Frewer's Sherlock Holmes, you can do that, too. Quite a few of us adore <a href="http://ihose.co/ihose33" rel="nofollow" target="_blank">Edward Hardwicke's Watson</a>...but if you're planning to cosplay <a href="https://en.wikipedia.org/wiki/Sherlock_Holmes_(1954_TV_series)" target="_blank">H. Marion Crawford's</a>, you just go on with your bad self.<br />
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I love <i>Sherlock</i> Series 3 with every fiber of my being. It could be that Steven Doyle doesn't feel the same way....not sure about that... but we like and respect each other and he throws great parties. Vincent Wright and I don't agree with each other on God—but we're friends, and he has been a wonderful mentor and research buddy. I know all of you can think of your own examples.<br />
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Really (unless you're hurting others) as a Sherlockian, you can be who you are, and find that you're welcomed, appreciated, and accepted for just that. And when that happens, something else tends to happen, too: people blossom—often in ways that their regular lives don't  encourage. They try new things. They give toasts. They paint. They write. They wear outrageous clothes. They leave their houses and fly on planes. They become leaders. They host events. They write books with their best friends. Some of them even marry each other. Just as an invalided army doctor and his weird, anti-social (but brilliant) best friend could become a famous writer and the world's foremost detective, Sherlockian men and women find, in 1895, ways to be themselves in ways they may never have imagined possible.<br />
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Today, as part of my podcast exercise program (6 lbs down so far, thank you), I happened to listen to <a href="http://ihose.co/ihose89" rel="nofollow" target="_blank">IHOSE Episode 89: The Adventuresses of Sherlock Holmes</a>, and, as Mr. Stix read out the names of people who should have been part of the BSI ages ago — "<a href="http://pca.st/Sb9u#t=3565" target="_blank">righting old wrongs</a>" — it struck me that, any time we dismiss others for not being quite what we think they should be, we not only deny them a chance to become far more, we miss out on all the good they have to offer. How many of us would have moved out of Baker Street within the first several weeks? But had John H. Watson, MD, done that—weirded out by all those strange people in the sitting room—he would have missed out on the best part of his life.<br />
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Let's follow his lead and remain, always, brave and loyal friends.<br />
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--<br />
<br />

On Friendship and Possibilities

"I am much obliged to you for bringing us together." [STUD] One of the downsides of living in the Midwest is the dearth of re...

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by Leah Guinn

Sherlock Holmes, The Missing Years: Timbuktu — A Review

<h4 style="text-align: center;">
“a pathway traced out across the desert” [STUD]</h4>
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The three years Sherlock Holmes spent “dead” have been a favorite topic of speculation among Sherlockians for ages. His Great Hiatus has been the subject of a variety of pastiches over the years, imagining the Great Detective in locations such as Tibet, India, the United States, suffering amnesia, or even travelling through time.<br />
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<i>Sherlock Holmes, the Missing Years: Timbuktu</i> is the second Great Hiatus book written by Vasudev Murthy, the first being <i>Sherlock Holmes, the Missing Years: Japan</i>. Despite the similarity in title, this is neither a sequel, nor a prequel. As the foreword explains, this is intended as an alternative version of events, and stands completely on its own.<br />
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The plot of the novel revolves around the recovery of an ancient map, which may lead to a fountain of youth. Whether or not it actually does is not really the point, as the sociopolitical and theological ramifications for such a discovery could be immense. More importantly, the people who know of the map’s existence are willing to kill for it, and one of those people searching is Professor Moriarty.<br />
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The search takes Holmes and Dr. Watson through Morocco, across the Sahara, and down the Nile. The author often switches perspectives between Watson, Holmes, their associates, and the people pursuing them, permitting the reader to see all sides of the argument, as it were. There are also footnotes, though many add nothing by way of plot or flavor. The historical clarifications were welcome and helpful. The jokes tended to fall flat as mere distraction.<br />
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Mr. Murthy makes good use of the time period, vibrantly painting the setting with details of the state of Morocco at the end of the nineteenth century, and giving historical context for every region the characters travel through. By far the most interesting descriptions are of the Tuareg tribe Holmes and Watson travel with through the Sahara. Songs and stories are woven into the narrative, along with simple scenes of domestic life for a nomadic people that add color and atmosphere to the story.<br />
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The author does border on being too ‘meta’ with some of Watson’s commentary. He repeatedly references a public interested only in sensationalism and violence, excessively justifying the lack of such in this work. While timely the first few occasions, it quickly became overdone. Apart from that, Watson fulfills his stereotypical role here; he’s the narrator for most of the book, as per usual, and documents his experience faithfully and with literary flair. <br />
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While Watson remains as steadfastly British as he can without offending anyone, Holmes goes native. Holmes is delightful, throwing himself into a variety of roles through the story, from Polish priest to nomadic Tuareg, with energetic fervor. He doesn’t have many occasions to show off his deductive prowess, but when he does, he doesn’t disappoint.<br />
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Even though Holmes and Watson individually are fine, my greatest criticism of the book lies in their interactions with each other. I felt there was such a missed opportunity here, in that I never had a sense of exactly why Holmes summoned Watson in the first place. Holmes has a line about Watson’s ability to put him back on track with casual observations, a take on the ‘great conductor of light’ business from the Canon, but I still found myself wondering on multiple occasions why Watson was there. I don’t mean from a practical standpoint; Watson’s medical skills are put to good use, and indeed he does serve his function as unwitting muse to Holmes, but a sense of camaraderie and even friendship is either missing, or it feels like a one way street. They come across as coworkers, rather than one of literature’s most enduring friendships.<br />
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Even if something is lost in translation regarding Holmes and Watson, the adventure itself makes for a fun story. Since the premise of the book supposes that Reichenbach, and the events leading up to it, were entirely fabricated, it means that Holmes and Moriarty have never met. Moriarty is still a presence, but entirely behind the scenes up until the climax. Without giving anything away, I can say I thoroughly enjoyed the dialogue between Holmes and Moriarty, especially with Watson watching two great intelligences at opposite ends of the moral spectrum have a perfectly pleasant conversation. There is no waterfall at the end of this meeting, but the end holds just as much significance for all parties involved. It’s a well-crafted ending, with a charming denouement.<br />
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This is an entertaining novel loaded with historical details and social commentaries that takes a slightly different angle than many other Great Hiatus pastiches. It is not the sort of book that I wanted to devour in one sitting, but I did keep coming back to it. <i>Sherlock Holmes, the Missing Years: Timbuktu</i> is available from <a href="http://www.poisonedpenpress.com/sherlock-holmes-timbuktu/">Poisoned Pen Press</a>, and you can find it on <a href="http://www.amazon.com/Sherlock-Holmes-The-Missing-Years-ebook/dp/B018UZPEQG/ref=pd_sim_351_1?ie=UTF8&dpID=51WAjrbSX9L&dpSrc=sims&preST=_AC_UL160_SR104%2C160_&refRID=0D6CQ39MP8DZ2KYBH9AQ">Amazon</a>. <br />
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Sherlock Holmes, The Missing Years: Timbuktu — A Review

“a pathway traced out across the desert” [STUD] The three years Sherlock Holmes spent “dead” have been a favorite topic of speculati...

+ Read more »

by Katie Magnusson

The New Sherlock Holmes Pub

<h4 style="text-align: center;">
"comparing notes with publicans" [MISS]</h4>
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After weeks of being closed for renovations, the relaunch of our beloved <a href="http://www.sherlockholmes-stjames.co.uk/">Sherlock Holmes Pub</a> on Northumberland Avenue in London was quite a fun way to spend an evening.  The downstairs isn’t as dark as it used to be and still remains a friendly atmosphere to get a drink with a healthy mix of tourists and mates taking the time for a pint after work. The restaurant upstairs was always a comfortable area, but after a much needed facelift, feels even more welcoming.<br />
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When first climbing the very familiar stairs you’re immediately transported into the home of our favourite detective. The once ‘L’ shaped room has been transformed into two separate dinning areas that are split with a set of shelves that contain many new treasures including different types of books, glass bottles and a beautiful violin. One of my favourite paintings of a smirking Sir Arthur Conan Doyle has now moved out of a small alcove and given its rightful place above the mantle. And to much amusement many people throughout the night, attendees could be seen posing with the deerstalker wearing stag head that now adorns one wall and looks down on you while you eat your dinner. Don't worry though there is no venison on the menu.<br />
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They have also added in a very ornate bar to the upstairs space. No longer do calls have to be made downstairs for ciders and spirits. There are special craft cocktails, one of which that has to be stirred constantly for over five minutes, that have joined the drinks menu. We’ve already decided a few trips back during the daily happy hour will be needed to try them all. <br />
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The museum is a lot more accessible. You still are on the outside looking in, however the walls that at one time surrounded the place have become windows. This allows you to see many more treasures than you did before, my personal favourite being John’s footlocker. We were informed that some items that have been broken over the years have been replaced, and more period specific pieces added. We were allowed a peek inside for a few minutes, but this was something that isn’t offered to the general public (also a fangirl’s dream come true to pose with John’s revolver).<br />
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The event itself consisted of teams solving a murder mystery, a sampling of some of the new (and old) menu items, an option to try some of their new drinks and of course time for general mingling with many other local Sherlockians. Members of the Sherlock Holmes Society of London, the London Sherlockians, the Baker Street Babes, Sherlock Unravelled, MX Publishing, and even Bert Coules  himself were in attendance, just to name a few.<br />
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This classic London spot still retains its Victorian charms, yet the refurbishment has given it just the bit of polish it needed for the next generation of Sherlockian tourists. I would encourage fans old and new to go see the changes, and see what new items you can spot in Sherlock’s sitting room. I’m sure Sir ACD would approve.<br />
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All in all, a good time was had by all. And it was nice to be reminded that I should never be a detective, my partner and I only scoring one point on the mystery. A special thank you to the pub for the invitation. <br />
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To find out more, including the new menu, you can visit <a href="http://www.sherlockholmes-stjames.co.uk/">The Sherlock Holmes Pub online</a>, on <a href="http://www.facebook.com/sherlockspub">Facebook</a>, and Twitter <a href="http://twitter.com/thesherlockpub">@TheSherlockPub</a>.<br />
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Photo credits: Crystal Noll and Deidre Parker<br />
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<i>Top image credit: <a href="https://flic.kr/p/4nhnR6">Chris Yu (Flickr)</a></i><br />
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